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Liked It - 1850 vote
Directed by - Karim Aïnouz
genre - Drama
release date - 2019
Inés Bortagaray, Murilo Hauser
tomatometer - 8,8 / 10

Só passando pra deixar o meu dislike diário. Amanhã eu volto kkkk. Could Parasite become the first foreign language film to win Best Picture? It's a risky prediction, but it's been a real crowdpleaser that should benefit from a preferential ballot, has even hit the zeitgeist to more of a degree than any foreign film in recent memory, and is far more accessible and entertaining than last year's Roma (which, despite a director of higher awards pedigree, also suffered due to anti-Netflix bias. If anything, The Irishman might be this year's Roma - a Netflix film that many appreciate more than they enjoy. it's one of my favourites of the year, but I've seen a lot of public reactions calling it boring or overlong, and wonder if voters may feel somewhat the same way. So yes, I realize Parasite is still a real dark horse of a pick to win, but I'll take the leap. at least for now. Best Picture Parasite The Irishman Once Upon a Time in Hollywood Marriage Story 1917 Jojo Rabbit Joker Ford v Ferrari. Little Women Pain and Glory Bombshell The Farewell The Two Popes Knives Out Richard Jewell Director Martin Scorsese (The Irishman) Bong Joon-ho (Parasite) Quentin Tarantino (Once Upon a Time in Hollywood) Sam Mendes (1917) Pedro Almodovar (Pain and Glory. Noah Baumbach (Marriage Story) Greta Gerwig (Little Women) Taika Waititi (Jojo Rabbit) Todd Phillips (Joker) Benny Safdie and Josh Safdie (Uncut Gems) Actress Scarlett Johansson (Marriage Story) Renee Zellweger (Judy) Charlize Theron (Bombshell) Lupita Nyong'o (Us) Awkwafina (The Farewell. Saoirse Ronan (Little Women) Cynthia Erivo (Harriet) Actor Joaquin Phoenix (Joker) Adam Driver (Marriage Story) Leonardo DiCaprio (Once Upon a Time in Hollywood) Antonio Banderas (Pain and Glory) Christian Bale (Ford v Ferrari. Robert De Niro (The Irishman) Taron Egerton (Rocketman) Eddie Murphy (Dolemite Is My Name) Jonathan Pryce (The Two Popes) Adam Sandler (Uncut Gems) Supporting Actress Laura Dern (Marriage Story) Jennifer Lopez (Hustlers) Margot Robbie (Bombshell) Scarlett Johansson (Jojo Rabbit) Kathy Bates (Richard Jewell. Florence Pugh (Little Women) Nicole Kidman (Bombshell) Penelope Cruz (Pain and Glory) Zhao Shuzhen (The Farewell) Annette Bening (The Report) Supporting Actor Brad Pitt (Once Upon a Time in Hollywood) Al Pacino (The Irishman) Joe Pesci (The Irishman) Tom Hanks (A Beautiful Day in the Neighborhood) Song Kang-ho (Parasite. Anthony Hopkins (The Two Popes) Alan Alda (Marriage Story) Jamie Foxx (Just Mercy) Willem Dafoe (The Lighthouse) Taika Waititi (Jojo Rabbit) Adapted Screenplay The Irishman Jojo Rabbit Little Women The Two Popes A Beautiful Day in the Neighborhood. Joker Hustlers Toy Story 4 Avengers: Endgame Original Screenplay Parasite Marriage Story Once Upon a Time in Hollywood Knives Out Uncut Gems. Pain and Glory The Farewell Us Bombshell 1917 Dolemite Is My Name Booksmart Ford v Ferrari Portrait of a Lady on Fire The Lighthouse Cinematography 1917 Once Upon a Time in Hollywood Joker A Hidden Life Portrait of a Lady on Fire. The Irishman Parasite The Lighthouse Ad Astra Little Women Costume Design Once Upon a Time in Hollywood Little Women Dolemite Is My Name Rocketman Portrait of a Lady on Fire. Downton Abbey The Irishman Judy Jojo Rabbit The Two Popes Editing The Irishman Ford v Ferrari Marriage Story Once Upon a Time in Hollywood Parasite. Joker Bombshell Jojo Rabbit 1917 Little Women Pain and Glory Knives Out Star Wars: The Rise of Skywalker Avengers: Endgame Makeup and Hairstyling Bombshell Joker Judy Little Women Once Upon a Time in Hollywood. Dolemite Is My Name Jojo Rabbit Star Wars: The Rise of Skywalker Rocketman 1917 Production Design Once Upon a Time in Hollywood 1917 Parasite Joker The Irishman. Little Women Jojo Rabbit Ford v Ferrari Downton Abbey Cats Score 1917 Little Women Star Wars: The Rise of Skywalker Marriage Story Joker. Avengers: Endgame Jojo Rabbit Us Motherless Brooklyn Song "Into the Unknown" Frozen II) Spirit" The Lion King) Beautiful Ghosts" Cats) Stand Up" Harriet) Glasgow (No Place Like Home. Wild Rose. I'm Gonna) Love Me Again" Rocketman) Speechless" Aladdin) TBD Sound Editing 1917 Ford v Ferrari Star Wars: The Rise of Skywalker Avengers: Endgame Ad Astra. Rocketman Once Upon a Time in Hollywood Joker Sound Mixing Ford v Ferrari 1917 Star Wars: The Rise of Skywalker Avengers: Endgame Rocketman. Ad Astra Once Upon a Time in Hollywood Joker Cats Judy Uncut Gems VFX The Irishman The Lion King Star Wars: The Rise of Skywalker Avengers: Endgame Ad Astra. Alita: Battle Angel Spider-Man: Far From Home Dumbo Godzilla: King of the Monsters Cats Animated Feature Toy Story 4 Frozen II How to Train Your Dragon: The Hidden World I Lost My Body Weathering With You. Missing Link Bunuel in the Labyrinth of the Turtles Klaus Abominable Spies in Disguise International Feature Parasite Pain and Glory Atlantics Les Miserables Honeyland. Monos Weathering With You Invisible Life of Euridice Gusmao Beanpole And Then We Danced The Traitor TBD Documentary Feature Apollo 11 One Child Nation American Factory For Sama The Great Hack. Honeyland The Cave Midnight Family Knock Down The House Rolling Thunder Revue Toni Morrison: The Pieces I Am Hail Satan? Fyre TBD Mid Oct Mid Nov.

Torrent index on ios A Vida InvisÃver el hotel

Torrent index on ios A Vida InvisÃvel d'hiv. No showtimes found for "The Invisible Life of Eurídice Gusmão. Please select another movie. 1:52 Santa é a. Lilian Cabral. Torrent index on ios A Vida InvisÃval de marne.

A história viverá para sempre dentro dos nossos corações

Very touching portrait of two sisters in Rio de Janeiro. In the world of men, they want to make their dreams come true. We have here one story about two lives. Very imporant movie which shows how lives of many women looked like in the early fifties. There is no hypocrisy here and the story itself drags us into their world.

Uma sacada bem interessante. Pegar um Clássico seriado dos anos 1970,e dar uma nova roupagem, mais sombria, mais terrorífica. Só acho que deviam ter colocado um anão, para fazer o papel do Tatu. O avião! O avião.

Torrent index on ios A Vida invisível.

Directed by Karim Aïnouz, The Invisible Life (A Vida Invisível) tells the tale of two sisters, Eurídice (Carol Duarte) and Guida (Julia Stockler) who loose one another. Lied and betrayed by their family, especially their Portuguese, conservative and controlling father, both sisters believe the other is experiencing a perfect life in Europe while living in Rio de Janeiro.

Exquisitely shot and produced, with bright saturated colors and sounds, the film is also wonderfully acted. Both leads are excellent, even if Carol Duarte's Eurídice may not have the most accurate accent for the character's history.

The slow pacing is very suitable for the plot, quietly expanding on tensions, which are powerfully discharged by a masterful, emotional ending performance by Fernanda Montenegro.

Torrent index on ios A Vida InvisÃvel satis. Torrent index on ios a vida invisívela. Gente, eu ainda não assisti, mas pelo trailer achei o filme quase idêntico a Elena da Petra, estou certa nessa comparação. De uma triste melodia. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates.

Torrent index on ios a vida invis c3 advil review. 13 wins & 13 nominations. See more awards » Learn more More Like This Drama 1 2 3 4 5 6 7 8 9 10 7. 9 / 10 X Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of. See full summary » Director: Julien Duvivier Stars: Victor Francen, Michel Simon, Louis Jouvet, Thriller 7 / 10 Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten. See full summary » Henri Decoin Danielle Darrieux, Jean Gabin, Jacques Castelot Documentary Bertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures. Bertrand Tavernier Bertrand Tavernier, François Truffaut, Jean-Paul Gaultier Short 7. 1 / 10 Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. Dusan Zoric Marko Grabez, Miodrag Dragicevic, Mihajlo Jovanovic Romance 6. 4 / 10 The marriage between Gabrielle and Jean begins to fray after the discovery of a letter that belongs to Gabrielle. Patrice Chéreau Isabelle Huppert, Pascal Greggory, Claudia Coli 9. 2 / 10 Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country. André Marcon, Thierry Frémaux 7. 4 / 10 Andre has died under mysterious circumstances leaving behind his wife and two daughters who must now learn to grow together or risk being swept apart forever. David Uloth Emilie Bierre, Réal Bossé, Mélissa Désormeaux-Poulin Musical After one of her fellow taxi dancers is murdered by an unknown man who she met through a personal column advert, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. Robert Siodmak Maurice Chevalier, Pierre Renoir, Marie Déa A frustrated teenager frees herself from her mother's influence and her narrow life in a small industrial town to find out who she really is. Sébastien Pilote Karelle Tremblay, Pierre-Luc Brillant, François Papineau 7. 6 / 10 André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André. See full summary » Danièle Delorme, Robert Arnoux Music Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they. See full summary » Louise Archambault Gabrielle Marion-Rivard, Alexandre Landry, 7. 8 / 10 Between high school pressure and family disorganisation, Mylia is trying to find her bearings. Meeting Jacinthe and Jimmy will lead her to outline a new life. Geneviève Dulude-De Celles Robin Aubert, Irlande Côté Edit Storyline Eurídice and Guida are two inseparable sisters living at home with their conservative parents in 1950's Rio de Janeiro. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other. Plot Summary Add Synopsis Details Release Date: 20 December 2019 (USA) See more » Also Known As: Invisible Life Box Office Cumulative Worldwide Gross: 1, 656, 746 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia This is adapted from the novel of the same name by Martha Batalha. See more » Connections References Peter Pan (1953) See more ».

Torrent index on ios A Vida InvisÃvélo. Torrent index on ios A Vida InvisÃval d'oise. The Venice Film Festival is almost over and I started to develop some Oscars predictions this September. You're Wondering what they are, Here you go: Best Picture: 1📷Once Upon a Time in Hollywood 2📷The Irishman 3📷A Beautiful Day in the Neighborhood 4📷1917 5📷Little Women 6📷Jojo Rabbit 7📷The Farewell 8📷Marriage Story 9📷Ford v Ferrari 10📷Avengers: Endgame Best Director: 1📷Quentin Tarantino-Once Upon a Time in Hollywood 2📷Martin Scorsese-The Irishman 3📷Sam Mendes-1917 4📷Greta Gerwig-Little Women 5📷Bong Joon-ho-Parasite Best Actor: 1📷Leonardo DiCaprio-Once Upon a Time in Hollywood 2📷Robert De Niro-The Irishman 3📷Adam Driver-Marriage Story 4📷Taron Egerton-Rocketman 5📷Joaquin Phoenix-Joker Best Actress: 1📷Saoirse Ronan-Little Women 2📷Awkwafina-The Farewell 3📷Cynthia Erivo-Harriet 4📷Renee Zellweger-Judy 5📷Scarlett Johansson-Marriage Story Best Supporting Actor: 1📷Joe Pesci-The Irishman 2📷Al Pacino-The Irishman 3📷Gary Oldman-The Laundromat 4📷Brad Pitt-Once Upon a Time in Hollywood 5📷Taika Waititi-Jojo Rabbit Best Supporting Actress: 1📷Laura Dern-Marriage Story 2📷Annette Bening-The Report 3📷Margot Robbie-Once Upon a Time in Hollywood 4📷Meryl Streep-Little Women 5📷Shuzhen Zhou-The Farewell Best Original Screenplay: 1📷Once Upon a Time in Hollywood 2📷The Farewell 3📷Marriage Story 4📷Parasite 5📷Booksmart Best Adapted Screenplay: 1📷The Irishman 2📷The Laundromat 3📷Jojo Rabbit 4📷Little Women 5📷A Beautiful Day in the Neighborhood Best Animated Feature: Toy Story 4 How to Train Your Dragon: The Hidden World Weathering With You I Lost My Body Funan Best Cinematography: 1917 (Roger Deakins) Once Upon a Time in Hollywood (Robert Richardson) The Irishman (Rodrigo Prieto) The Lighthouse (Jarin Blaschke) A Hidden Life. Jörg Widmer) Best Costume Design: Little Women Downtown Abbey Harriet The Irishman Jojo Rabbit Best Production Design 1917 Once Upon a Time in Hollywood Little Women The Irishman Jojo Rabbit Best Film Editing The Irishman Ford v. Ferrari Once Upon a Time in Hollywood 1917 Marriage Story Best Makeup & Hairstyling: Joker The King Little Women The Aeronauts Avengers: Endgame Best Original Score 1917 (Thomas Newman) Little Women (Alexandre Desplat) Star Wars: The Rise of Skywalker (John Williams) Avengers: Endgame (Alan Silvestri) Waves (Trent Reznor & Atticus Ross) Best Sound Editing 1917 Avengers: Endgame Ford v. Ferrari Star Wars: The Rise of Skywalker Ad Astra Best Sound Mixing: 1917 Avengers: Endgame Ford v. Ferrari Ad Astra Once Upon a Time in Hollywood Best Visual Effects: Avengers: Endgame Star Wars: The Rise of Skywalker The Lion King Alita: Battle Angel Pokemon: Detective Pikachu Best International Film: Parasite (South Korea) Pain and Glory (Spain) The Invisible Life of Euridice Gusmao (Brazil) Monos (Colombia) Weathering With You (Japan.

Ainda não vi o longa mas espero que estreie em breve no cinema local. Parece mais lirico que Bacurau portanto elegivel para os padrões da academia de Hollywood. Geral falando que o filme é maravilhoso, esplêndido, incrível, eu mesma não entendi porra nenhuma do trailer. An immersive experience with great acting and a terrific story. One of the best movies of 2019. Highly recommended. Best Picture The Irishman Marriage Story OUATIH 1917 Parasite Little Women Jojo Rabbit Bombshell Alternates: Joker, The Farewell, Ford v Ferrari, The Two Popes Best Director Martin Scorsese - The Irishman Noah Baumbach - Marriage Story Sam Mendes - 1917 Quentin Tarantino - OUATIH Bong Joon-ho - Parasite Alternates: Greta Gerwig - Little Women, Taika Waititi - Jojo Rabbit, Lulu Wang - The Farewell, Todd Phillips - Joker Best Actor Adam Driver - Marriage Story Joaquin Phoenix - Joker Leonardo DiCaprio - OUATIH Robert De Niro - The Irishman Jonathan Pryce - The Two Popes Alternates: Antonio Banderas - Pain and Glory, Eddie Murphy - Dolemite Is My Name, Christian Bale - Ford v Ferrari, Taron Egerton - Rocketman Best Actress Saoirse Ronan - Little Women Renee Zellweger - Judy Scarlett Johansson - Marriage Story Charlize Theron - Bombshell Awkwafina - The Farewell Alternates: Cynthia Erivo - Harriet, Alfre Woodard - Clemency, Lupita Nyong'o - Us Best Supporting Actor Brad Pitt - OUATIH Al Pacino - The Irishman Tom Hanks - ABDITN John Lithgow - Bombshell Willem Dafoe - The Lighthouse Alternates: Joe Pesci - The Irishman, Anthony Hopkins - The Two Popes, Sterling K. Brown - Waves, Song Kang-ho - Parasite, Jamie Foxx - Just Mercy Best Supporting Actress Laura Dern - Marriage Story Margot Robbie - Bombshell Florence Pugh - Little Women Annette Benning - The Report Thomasin McKenzie - Jojo Rabbit Alternates: Jennifer Lopez - Hustlers, Scarlett Johansson - Jojo Rabbit, Shuzhen Zhou - The Farewell, Margot Robbie - OUATIH, Nicole Kidman - Bombshell Best Original Screenplay Marriage Story OUATIH Parasite The Farewell Bombshell Alternates: Pain and Glory, Booksmart, Ford v Ferrari, Knives Out, Waves Best Adapted Screenplay The Irishman Little Women Jojo Rabbit The Two Popes Joker Alternates: ABDITN, Toy Story 4, Just Mercy, Judy, Dark Waters Best Animated Feature Frozen 2 Toy Story 4 How to Train Your Dragon 3 Weathering with You Abominable Alternates: Missing Link, The Lego Movie 2, I Lost My Body, The Secret Life of Pets 2 Best International Feature Parasite - South Korea Pain and Glory - Spain Les Miserables - France Atlantics - Senegal Monos - Colombia Alternates: The Invisible Life of Euridice Gusmao- Brazil, Corpus Christi - Poland, Honeyland - North Macedonia, Weathering with You - Japan, System Crasher - Germany Best Documentary Feature Apollo 11 Knock Down the House For Sama Love, Antosha American Factory Alternates: One Child Nation, Rolling Thunder Review, Honeyland, The Cave, Hail Satan? Best Original Score 1917 Star Wars 9 Little Women Joker Marriage Story Alternates: Ad Astra, Avengers: Endgame, Parasite, The Irishman, Harriet Best Original Song Into the Unknown - Frozen 2 Spirit - The Lion King Speechless - Aladdin (I'm Gonna) Love Me Again - Rocketman Beautiful Ghosts - Cats Alternates: I Can't Let You Throw Yourself Away - Toy Story 4, Stand Up - Harriet, Super Cool - The Lego Movie 2, Glasgow (No Place Like Home. Wild Rose Best Sound Editing 1917 Ford v Ferrari Star Wars 9 Ad Astra OUATIH Alternates: Avengers: Endgame, The Irishman, Joker, Godzilla King of the Monsters, Parasite Best Sound Mixing 1917 Ford v Ferrari Star Wars 9 Ad Astra Avengers: Endgame Alternates: OUATIH, Rocketman, The Irishman, Judy, Waves Best Production Design The Irishman Jojo Rabbit Little Women OUATIH 1917 Alternates: Downton Abbey, Ad Astra, Star Wars 9, Aladdin, Joker, Parasite Best Cinematography 1917 OUATIH The Lighthouse The Irishman Parasite Alternates: A Hidden Life, Joker, Ad Astra, Ford v Ferrari, Little Women Best Makeup and Hairstyling Bombshell OUATIH Joker Avengers: Endgame Judy Alternates: Rocketman, Little Women, Star Wars 9, Dolemite Is My Name, Downton Abbey Best Costume Design Little Women Jojo Rabbit Dolemite Is My Name OUATIH Aladdin Alternates: Downton Abbey, The Irishman, Rocketman, Judy, Harriet Best Film Editing The Irishman Ford v Ferrari OUATIH Marriage Story Parasite Alternates: 1917, Jojo Rabbit, Little Women, Ad Astra, Joker Best Visual Effects Avengers: Endgame The Lion King Star Wars 9 Ad Astra Alita: Battle Angel Alternates: The Irishman, Captain Marvel, Spider-Man: Far From Home, Godzilla: King of the Monsters, The Aeronauts.

Que excelente entrevista, nossa entrevistar brasileiros deve ser tão legal pra você que vive nesse mercado de arte cinematográfica. Que orgulho de vocês. Fecha logo essa trilogia lixo. A “tropical melodrama” is how the marketing materials bill “The Invisible Life of Eurídice Gusmão. ” If that sounds about the most high-camp subgenre ever devised, Karim Aïnouzs ravishing period saga lives up to the description — high emotion articulated with utmost sincerity and heady stylistic excess, all in the perspiring environs of midcentury Rio de Janeiro — while surprising with its pointed feminist politics and occasionally sharp social truths. Anyone already familiar with Aïnouzs work will know to expect a florid sensory experience, but even by the Brazilians standards, this heartbroken tale of two sisters separated for decades by familial shame and deceit is a waking dream, saturated in sound, music and color to match its depth of feeling. From the first, jungle-set shot, the redoubtable d. p. Hélène Louvart gives the film the daubed, traffic-light palette of a ripe mango; were it possible, youd expect it to have an aroma to match. Having scooped the Un Certain Regard Prize in Cannes, “Eurídice Gusmão” is now strongly positioned to attain a degree of global arthouse exposure that has thus far eluded Aïnouzs work, for all its soulful beauty. Though some judicious trimming to the new films sprawling 139-minute runtime wouldnt have gone amiss, its by far his most broadly crowd-pleasing and emotionally accessible narrative feature to date. Related stories Cinéfondation-Prized Valentina Maurel Prepares Feature Debut, Garden on Fire' Barbara Sarasola-Day on 'White Blood' a Cannes' ACID Argentine Highlight Thankfully, those virtues come at little cost to the inclusive queer sensibility that has characterized much of the directors oeuvre, even if its narrative — drawn from Martha Batalhas popular, widely translated 2016 novel — is ostensibly straight in multiple senses. More than one kind of sisterhood powers a story in which female solidarity, in a world of male oppression and manipulation, proves a life-saving force. A woozy Amazonian prologue economically foreshadows the full, anguished drama to come, as the teenaged Eurídice (Carol Duarte) and her older sister Guida (Julia Stockler) lose sight of each other in the rainforest as they make their way home, ahead of a storm in the deep-pink sky. With their cries of each others names swallowed by their thick, iridescent surrounds, the scene feels like an unworldly nightmare, one we can imagine recurring in both womens minds once fate separates them for real. Its 1951, and both sisters have designs on life far away from their rule-bound family home in Rio, run by their father Manuel (Antonio Fonseca) with a mean misogynist streak. Good girl Eurídice, a classical piano prodigy, yearns to escape and master her art at the Vienna Conservatory; good-time girl Guida, whose gifts are less obvious, must hustle out her own way to see the world. And so she elopes to Europe with a dishy Greek sailor, only notifying her appalled parents by letter after the fact, and promising to return after her marriage. Return she does, and all too soon: Sailors will be sailors, after all, and the swift collapse of her maritime fling leaves Guida alone and pregnant, only for the embittered Manuel to deny her sanctuary. Disowning a daughter in need is bad enough; more cruelly still, he tells a lie to keep the sisters apart, claiming that Eurídice has left to pursue her dream in Austria. Would that were true. Instead, Eurídice remains grounded in Brazil, her ivory ambitions slipping away as she settles into an unfulfilling marriage to Antenor (Gregório Duvivier) a boor cut very much from the same drab cloth as her father. And so Aïnouzs film itself finds a rhythm of undulating, fado-toned melancholy as it follows the sisters across the years, so close and yet so far apart, on separate paths that inadvertently circle each other without ever quite intersecting. Guidas frequent letters to Eurídice, imagining and envying the life of a glamorous Continental concert pianist, are relayed in voiceover, a running device that forms the films plaintive psychological chorus — as years and then decades go by without a reply, the missives become an intimate confessional diary as much as anything else. Aïnouz amps up the aching tragedy and dramatic irony of the situation to full melodramatic volume, with a sumptuous assist from Benedikt Schiefers score — itself supported with evocatively chosen classical piano pieces by Chopin and Liszt. One superbly choreographed set piece, seeing the sisters miss each other by seconds in a Rio cafe, is agonizing and manipulative in all the right ways. But “Eurídice Gusmão” isnt just a symphony of misery. Flashes of joy and comradeship enter proceedings as Guida builds a new life for herself in Brazils slums, with wily, kindly prostitute Filomena (Bárbara Santos) as her new guardian angel; she may weather harder knocks than her sister, but finds her own kind of happiness. In this sense, Aïnouz has made both a testament to the resilience of women in a society stacked against them — there are no good men to be found in its vision of toxic patriarchy — as well as a stirring celebration of the families we create when the ones were born into fall away. In a film of grand emotional gestures, the richness of “Eurídice Gusmãos” images and soundscape is entirely appropriate: No one here is permitted to suffer in silence, much less in ugliness. Louvarts lensing, awash in hues and forms that feel sun-ripened into a lush, squishy haze, is a constant marvel here, while Rodrigo Martirenas pattern-splashed production design and Marina Francos thriftily expressive costumes play into the films spirit of earnest excess. Itd be easy for the films leads to be lost in all that mise en scène, but Duarte and Stockler (the former stoic but steadily undone, the latter a firework gradually settling into zen calm) play their big, curving character arcs with lively gusto. Best of all, a late, piercing cameo from 89-year-old Brazilian grande dame Fernanda Montenegro — Oscar-nominated 20 years ago for “Central Station, ” her face deeply storied and closely examined — cathartically gathers all the films loose strands of feeling to weep-inducing effect. Aïnouzs latest film plays its audience like a violin, but when the music is this lovely, why should he not? Sign up for Varietys Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

Muito bacana essa entrevista.

Characters are not that much sympathetic and the rythm is slow, everything is on surface and we couldn't delve to the characters and storylines, mostly I think because of lack of brilliant writing and dialogues.

The only character despite the short amount of time was well written and well played was Filomena.

My biggest turndown with Invisible Life's biggest competition inside Brazil this year ( Bacurau' was the excess of metaphors to make it a smart work. some of which have absolutely no contibution to the story. Still, it was able to provoke a lot of emotional reactions, it's specially smart and meaningful to watch from a Brazilian perspective. Invisible Life is something different, it's universal, delicate and rough at the same time, and it's story has no need to explaining. we all know what it is about. Still, they explain (the only reason why it's not a 100% for me.
Carol Duarte and Julia Stockler are incredible. Also need to mention the short appearance from Brazil's greatest actress of all time, Academy Award nominee Fernanda Montenegro, not only for the name but mostly because, after 120 minutes of the movie, her performance was still able to reach out to the emotions you built for the characters in the past 2 hours.
Overall, absolutely beautiful. The film is a visual spectacle, but also a beautiful and touching story.

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